FROM THE PERSONAL COLLECTION

Gary’s Guitars

The guitars I own, play and keep — instruments selected for tone, feel, craftsmanship, history and the simple pleasure of picking them up.

1960 Gibson ES-335 TDC from Gary's collection

A Collector’s Perspective

Gary’s Guitars is different from regular inventory. These are personal instruments from my collection — nineteen guitars that help explain the builders, materials, designs and ideas that have shaped my perspective on what makes an exceptional instrument. Each one is here for a reason.

SELECTED FROM THE COLLECTION

Guitars I Chose to Keep

1960 Gibson ES-335 TDC
GARY’S GUITARS • VINTAGE GIBSON

1960 Gibson ES-335 TDC

Original Cherry • Stop Tailpiece • A35451

An exceptionally preserved first-year Cherry ES-335 and Gary’s vintage semi-hollow reference point.

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1957 Gibson ES-175N
GARY’S GUITARS • VINTAGE GIBSON

1957 Gibson ES-175N

Natural • Early Stickerless Humbuckers • A25149

A remarkably preserved transition-era ES-175 and one of Gary’s most cherished guitars.

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1998 Gibson L-5 CESN
GARY’S GUITARS • CUSTOM GIBSON

1998 Gibson L-5 CESN

Custom Art & Historic • Natural

Gary’s favorite L-5, created from an extraordinary three-guitar Custom Shop wood set.

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1999 Gibson Super 400 CESN
GARY’S GUITARS • CUSTOM GIBSON

1999 Gibson Super 400 CESN

Custom Art & Historic • Natural

The third guitar from the same special wood set as Gary’s L-5, with a custom Jim Hutchins maple pickguard.

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2011 Benedetto Cremona 18
GARY’S GUITARS • BENEDETTO

2011 Benedetto Cremona 18"

Serial S-2000 • Savannah

One of Bob Benedetto’s last 18-inch guitars, specified in close collaboration with Gary.

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1988 Benedetto “Martin Taylor”
GARY’S GUITARS • ARTIST PROVENANCE

1988 Benedetto “Martin Taylor”

16-inch Custom

Martin Taylor’s personal performing and recording guitar for approximately seven years.

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2004 PRS “Americana” #614
GARY’S GUITARS • PRS PRIVATE STOCK

2004 PRS “Americana” #614

Joe Knaggs’ Personal Guitar

An important early PRS archtop and the origin of the Americana Bald Eagle inlay concept.

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2015 PRS “The Brazilian” #5722
GARY’S GUITARS • PRS PRIVATE STOCK

2015 PRS “The Brazilian” #5722

Brazilian Rosewood Top & Neck

An extraordinary Custom 24 built around extensive Brazilian rosewood and a restrained satin finish.

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2006 PRS Private Stock 10th Anniversary Custom 22 #1333
GARY’S GUITARS • PRS PRIVATE STOCK

2006 PRS 10th Anniversary #1333

Custom 22 • Violin Amber Burst

Gary’s favorite solid-body guitar — exceptional feel, playability and sonic spectrum.

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2006 PRS 10th Anniversary #1326
GARY’S GUITARS • PRS PRIVATE STOCK

2006 PRS 10th Anniversary #1326

Singlecut Trem • Tiger Eye Burst

Gary’s favorite Les Paul-style guitar and the companion to #1333.

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Tom Ribbecke Testadura Final 25 #23
GARY’S GUITARS • RIBBECKE

Ribbecke Testadura Final 25 #23

The Tree • Brazilian Rosewood

A one-of-a-kind semi-hollow collaboration with Tom Ribbecke and Larry Robinson.

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Knaggs Creation #2 Monument Valley
GARY’S GUITARS • KNAGGS CREATION

Knaggs Creation #2

“The Monument Valley” Severn

Joe Knaggs’ Arizona-inspired Creation Series work of art.

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Knaggs Sheyenne Serial #1
GARY’S GUITARS • KNAGGS

Knaggs Sheyenne Serial #1

Black Gold • Brazilian Rosewood

The first Sheyenne, with extraordinary curly maple and an exceptionally dark Brazilian neck.

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Nik Huber 20th Anniversary Orca Prototype
GARY’S GUITARS • NIK HUBER

20th Anniversary Orca Prototype

First Prototype • NAMM 2017

The first Orca prototype in the original Starry Night Burst formula.

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Nik Huber Rietbergen Prototype #1 P999
GARY’S GUITARS • NIK HUBER

Rietbergen Prototype #1

Serial P999 • Solid Carved Top & Back

The first Rietbergen — solid carved curly-maple plates with a center block, not laminated 335 construction.

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A COLLECTION WITHIN THE COLLECTION

The 1959 Re-Issues

Every important guitar collection should contain a Les Paul, a Strat, a Tele and a 335. These four guitars complete that idea for Gary: four modern interpretations of landmark 1959 designs, each selected for a different quality that makes it exceptional.

What Earns a Place in My Collection?

It Has to Feel RightThe neck, balance and response matter before specifications on paper ever do.
It Has to Sound Like SomethingI look for character, not simply perfection — an instrument should have its own voice.
It Needs a Reason to StayCraftsmanship, history, rarity or simply an emotional connection can make a guitar worth keeping.
“It’s not just what a guitar looks like... it’s what it feels like, what it sounds like, and the story it tells.”
— GARY THOMAS

Want to talk guitars?

Whether it is one of my guitars, a builder, a particular model or something you are searching for, call or text me directly.

480-299-3790   •   TALK GUITARS →